Steve vai passion and warfare tab book pdf
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Clearly these ideas had been gestating a long time before they were fully realized on tape.Īfter a brief dialogue snippet (a tape of a preacher that Steve recorded off the radio many years prior) comes the track “The Riddle”. It’s an old melody, and part of it appeared on Flex-able and an Alcatrazz album as well.
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There is a melody here, however, that recurs through the length of the album. “Answers” is less accessible, a cute dance of strange munchkin-like melodies. Steve remembers to throw enough melodic hooks down to keep it listenable for laypeople. With the expert rhythm section of Stu Hamm (bass) and Chris Frazier (drums), there is no way this would suck. It’s that 7th string that enables Steve to dig low on the groovy “The Animal”. I believe he stated in an interview that there is hardly any 6-string on Passion and Warfare at all. Steve was using his new Ibanez 7-string guitar exclusively now. Those bizarre sounds compounded with Steve’s impossible fretwork means this is one hell of an ambitious song and album.
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Steve used an Eventide harmonizer to give his guitar flute and keyboard-like tones. The “concept album” aspect means that the songs have movement and go to different places, trying to convey these ideas to the listener.
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It’s not mindless shredding for the sake of shredding. Guitars build layer after layer, playing melodies that don’t seem possible to perform with fingers. Steve composed a chunky rock track with so much guitar that I doubt he even knows how many tracks of shredding is on it anymore. There is some dialogue on and between songs (some performed by Steve’s then-Whitesnake bandmate David Coverdale), and the liner notes trace out some of the dreams that inspired the music. “Liberty” opens the CD, which is actually a lyricless concept album. Of the dream, Steve remembered saluting a flag he didn’t recognize, with an anthem playing. “Liberty”, said Steve, was a melody he heard in a lucid dream and tried to recall. Some of the music dated back almost a decade. Some consider it to be Steve’s “real” debut album. Now his student Steve Vai was on the charts with his own solo album.ĭifferent from Flex-able, which was basically just released demos, Passion and Warfare was a fully realized piece of art. Joe Satriani had recently become a household name with albums such as Surfing With the Alien and Flying in a Blue Dream, but Flying had vocals on some songs. I didn’t expect it to chart, but it did! It was an exciting time for instrumental guitar records. Passion and Warfare was released in 1990. Not many people can write and solo on the level of a Steve Vai, but we can all learn a ton about his process from studying solos and melody lines such as this.STEVE VAI – Passion and Warfare (1990 Relativity) It may take a long time to get this song under your fingers, or even to pull a handful of phrases out to be used in your own solos, but after putting in the hard work it will definitely be worth it. The song not only features a memorable melody line and ear grabbing chord progression, but it showcases all of the extended guitar techniques that have since become characteristic of Vai’s playing, including whammy-bar dives, harmonics, two-hand tapping and volume swells.įor a guitarist, “For the Love of God” offers a lifetime’s worth of study into the musical and creative mind of one of the 20 th century’s finest musicians. Recorded on the fourth day of a 10-day fast, which Vai used to bring himself into an altered state of consciousness to reach a deeper level of creativity, the song “For the Love of God” has become a staple of his live shows and a fan favorite since being released on the 1990 album Passion and Warfare.